Tuesday, 25 November 2014

Goddess in the New World: Images of Mary

Our Lady of Saint John of the Lakes
José Aragón (active 1820-1835), Santa Fe, ca. 1825. Oil on canvas.

Our Lady of the Lote Tree
Melchor Pérez Holguín (active 1694-1724), Potosí, Bolivia, 1716. Oil on canvas.
“The people who made these paintings were moved by their faith,” Díaz said. “Even though many of them were struggling to exist, they made these wonderful works of art. And they give us glimpses of New World settings. You see Native peoples in their traditional clothes appear. We see mountains typical of Potosi, Bolivia. We see parrots and turkeys. And we experience the love of freedom in form and color found in the baroque style that New World artists often took to the extreme, with canvases exploding in decorative details and layers of iconography.”

read more:
Painting the Divine: Images of Mary in the New World

"Painting the Divine includes works from Spain’s three colonial capitals: Peru, Mexico and New Mexico."
More of the featured paintings/source for images + text:

Painting the Divine: Images of Mary in the New World



Friday, 21 November 2014

A moon made of copper


A moon made of copper

Thursday, 20 November 2014

First Book!

The many writers whooshing through the fair was in itself amazing, all kinds of writers and all genres. In the FNMI Circle we presented a new offering every hour through the whole weekend. We received many compliments on the lodge or livingroom we developed for the First Nations, Metis, & Inuit Circle author presentations, and many who came stayed, for the sheer joy of hearing from authors from many different traditions and at many different stages in their careers.

The First Book! panel was hosted by Jacqueline Guest, YA author of many books, most recently The Comic Book War. Four writers, each of whom was celebrating their first book, shared their stories...

Reneltta Arluk (poetry) received a call for submissions, via Richard Van Camp. She photocopied her whole stash of poetic writings, and shipped them off. About two months later, she received a letter: some of these are very good, but, some we cannot read at all. Would you be able to type them up and re-submit? Whoa, good idea! So she types up the pile of poems and sends it in again, and about two months after that, she received an offer to publish. Her book, Thoughts and Other Human Tendencies, was edited and published soon after, and has been translated into Cree, and will soon be available in French as well. 

Frank C Busch (novel) got an arts degree, but ended up working in financial fields, he describes himself as a (young) business man. TRC was looking for people with financial background to interview residential school survivors, and so he interviewed some 800 people about this most sorrowful aspect of their lives. He felt he needed to do something with this energy, but, he could not write the stories he'd heard, they were not his stories to tell. What he heard from the survivors was, "I want my culture back," so, with permission of his elders and nation, he wrote an adventure story that is steeped in his Cree culture. In looking for a publisher, he eliminated all those who required paper submissions, because he wanted a publisher that is comfortable in the online world and computer era. He wrote a book proposal, submitting summary and sample chapters. He said, "my proposal was hardly about the book at all, it was all about the marketing plan...." His novel, conceived as the first in a series, is called Grey Eyes.

Lisa Bird-Wilson (short stories) developed and polished her stories at university, and worked with a writers group to perfect them (alongside her self confidence). She was very downhearted with the art the publisher reccommended for her book cover, and she gathered her courage and took him to task: what about this cover art says this is an indigenous book? This is an indigenous book and i want people to know that, right up front! They agreed upon using a portrait by an indigenous artist, and doubled the image to make a very beautiful, eye-catching cover. Her book and stories won many awards and nominations, and she is most proud of the book cover on Just Pretending.

Cara-Lynn Morgan (poetry) likewise was at university, and followed the advice of a teacher-mentor to do a multiple submission (generally considered not a cool thing to do): yes, some rejected her work on that basis, but, she also connected with the publishing house that she needed. Although she was living in Victoria BC, she felt her work like her roots were a Saskatchewan story, and so she focussed on SK presses. Thistledown published her first collection, What Became My Grieving Ceremony.

Four first books, four different paths to publication. Here are the books:


Grey Eyes – Fernwood Publishing

Coteau Books - Just Pretending




Wednesday, 19 November 2014

First Nations, Metis, Inuit Circle @ InspireTIBF

JB photo
Inspire photo
Sidewalk Crusaders Inspire photo
Michael Kusugak Inspire photo

Reneltta Arluk Inspire photo


Lindsay Marshall Inspire photo
Lee Maracle Inspire photo


Political Panel Inspire photo
Monique Gray Smith Inspire photo
Waubgeshig Rice Inspire photo



Joanne Arnott JB photo

Paul Seesequasis Inspire photo 
Frank Christopher Busch  ~  book signings @ GoodMinds booth
 Inspire photo
 

Roy Henry Vickers & Robert "Lucky" Budd  Inspire photo
Cat Crieger & Roy Henry Vickers  FNMI Closing Circle Inspire photo





 John Barlow dropped by and shared a few pics (JB photos)

FNMI Working Group: Joanne Arnott, Paul Seesequasis, Reneltta Arluk
JB photo

Friday, 31 October 2014

Autumn Dance Poetry

Autumn Dance Poetry

Date: Saturday, November 01, 2014 

Time: 1:00 PM to 4:30 PM

Place: Council Chamber, Richmond City Hall

Address: 6911 No. 3 Road, Richmond, BC

I am happy to co-present bilingual autumn poems with Yang Lan (translated by Laifong Leung)



Welcome by Ashok Bhargava, President WIN
EMCEE Janet Kvammen 
EMCEE Bonnie Quan Symons

Special Performance by:

Phinder Dulai – reading from new book - Dreams / Arteries

Lilija Valis, Enrico Renz, Lawren Nemeth CD Launch

Max Tell will be recognized as Distinguished Writer & Artist

Plethora of Poets:

Candice James, Bonnie Nish, Duke Ashrafuzzaman,

Fauzia Rafiq, Timothy Shay, Bernice Lever, Manolis

Aligizakis, Brajinder Dhillon, Alejandro Mujica-Olea,

Daniela Elza, Dennis E. Bolen, Jaz Gill, Alan Hill, Kyle

McKillop, Deborah Kelly, Kevin Spenst, Joanne Arnott,

Alan Girling, Mohan Gill, Sherry Duggal, Lara Varesi ,

Shahana Akter Mohua

Open Mic for people who sign up at the door

Refreshments and group photo

$10 recommended donation.

Proceeds will benefit hosting of WIN Fourth Annual Literary & Awards Festival.


Image (original, sans scribbles), Somewhere-in-Nature (M. Kianush)

Sunday, 26 October 2014

Tsilhqot’in perspective: "you bastards hung our chiefs"


Klatsassin's Salmon Fishery (Alexis, Ualas, Ogilvie)
Resort of Indians (Alexis, Ualas, Ogilvie)
Slough, Camp detail (Waddington)
 Ferry Detail (Waddington)


First Nations chief gives lessons about Tsilhqot’in hangings 150 years later

B.C.'s apology for hanging Tsilhqot'in war chiefs one step in a long healing process WENDY STUECK

NEMIAH VALLEY, B.C. — The Globe and Mail
"After the colonial militia failed to track down the war party, an official sent the chiefs a sacred gift of tobacco and an invitation to discuss terms of peace, Ms. Clark said. “Chief Klatsassin and his men accepted this truce,” she said. “They rode into the camp to negotiate peace, and then in an unexpected act of betrayal, they were arrested, imprisoned and tried for murder.” "


Justice for Tsilhqot’in finally arrives 150 years after war hangings


Dirk Meissner, The Canadian Press
WILLIAMS LAKE, B.C. – Grand Chief Ed John was a young lawyer when he spoke more than 30 years ago at the University of Victoria’s new law-school building named after Matthew Begbie, British Columbia’s hanging judge.International scholars were present to discuss aboriginal issues and rights, but John said he was compelled to tell them they were gathered in a building named after the judge who sentenced many First Nations to hang, including Tsilhqot’in chiefs after the Chilcotin War.
“I said I want to raise a question about this law school and about this conference on aboriginal rights and I want to tie it back to what this school’s been named because I want to talk to you about Matthew Baillie Begbie, the so-called hanging judge,” said John, who now leads the First Nations Summit, B.C.’s largest aboriginal organization.
Six chiefs from B.C.’s central Interior Cariboo-Chilcotin region were hanged in 1864 for murder and for their parts in what is known as Western Canada’s deadliest attack by aboriginals on non-aboriginal settlers.
The colony of B.C. approved a toll road from Bute Inlet on the coast to Barkerville in the Cariboo gold fields, but the Tsilhqot’in, decimated by smallpox and fiercely protective of their homelands, mounted a resistance.
It started in April 1864, and by the end of May, 19 road builders and a farmer were dead.
“He was the judge who sentenced the Tsilhqot’in chiefs to hang,” John said. “These were the chiefs who were fighting for the rights to their land, for the rights of their people to their respective lands and we have this conference in this school named after this hanging judge.”
It’s taken 150 years, but the circle of justice for the Tsilhqot’in is almost complete, he said.
The Bute Inlet road to the central Interior was never completed.
UVic changed the name of the law school building, and a bronze statue of Begbie mysteriously disappeared from the campus.
Last June, the Supreme Court of Canada unanimously ruled in favour of the Tsilhqot’in after a decades-long court fight, granting them title to 1,700 square kilometres of land in the remote Nemiah Valley, land southwest of Williams Lake that would have been part of the Cariboo road.
The court victory for the Tsilhqot’in Nation is the first time in Canadian history an aboriginal nation was granted title to land."

Vaughn Palmer


"Opposition leader John Horgan provided a telling coda to the premier’s remarks when he acknowledged how the previous New Democratic Party government had chosen to handle its own version of an apology for the same wrongs.
“It was done in a press release because at that time we felt there was a fear within government that if you did the right thing, there may be consequences,” acknowledged Horgan, who served as a political staffer in that government.
"From the Oct. 28, 1993 release put out by then attorney-general Colin Gabelmann: “The hanging of the Chilcotin chiefs in 1864 is a tragedy which, if we are to move forward with respect and in good faith, must be recognized. On behalf of the government and people of B.C., I would like to say that we are sorry that those events occurred and regret their effect on the Chilcotin people.” "

“We Meant War Not Murder”: A Punk Rock History of Klatsassin and the Tsilhqot’in War of 1864

by By Sean CarletonGUEST on OCTOBER 23, 2014
"The Rebel Spell’s “The Tsilhqot’in War” offers an interpretation of this important conflict from an anti-colonial perspective and thus contributes to a greater understanding of Canada’s colonial past. The song does not get all the facts right, but by highlighting Tsilhqot’in agency in the face of disease and settlers’ attempted dispossession of Indigenous lands, The Rebel Spell successfully challenge Canada’s “myth of benevolence” which suggests colonialism was an entirely peaceful process. Such a song is especially timely given the Supreme Court of Canada’s unanimous decision early this summer to affirm Tsilhqot’in land title in British Columbia."


To the Tsilhqot'in, with Gloves How a people, its chiefs and a chief justice have bravely ennobled the Canadian spirit.By Ian Gill, 26 Jul 2014, TheTyee.ca

 "The court process in defence of the Tsilhqot'in's rights and title -- a long, ugly, unseemly and expensive battle, as they always are -- ended a few weeks ago when the Supreme Court of Canada affirmed Aboriginal title a quarter of a century after the Tslihqot'in called the question.
"That might seem like a long time, but as Roger William said in a deposition opposing the mine two years ago, the struggle dates back to 1846, even before the Chilcotin War, when the British Crown asserted sovereignty before British Columbia even joined Confederation, something the Tsilhqot'in now view as merely the first chapter in a long "story of betrayal" for which governments have only now been called to account."


court decision:
June 26, 2014 - Supreme Court of Canada Ruling [pdf]


maps: sources
Title: Salmon Fishery of Klatsassin
Map-maker: Alexis and Ualas
Archive or Repository: Public Record Office, Great Britain
Reference Number: MPG6541
Notes: Detail from the Alexis Map showing Klatsassin's Fishery. From map originally drawn by Indians Alexis and Ualas as interpreted by Mr. Ogilvie, signed W. Cox, Benshee Lake, 22 July 1864.
Title: Alexis Map, Resort of Indians
Map-maker: Alexis and Ualas
Archive or Repository: Public Record Office, Great Britain
Reference Number: MPG6541
Notes: Detail from the Alexis Map showing favorite place for the Tsilhqot'in to take refuge in times of danger. From map originally drawn by Indians Alexis and Ualas as interpreted by Mr. Ogilvie, signed W. Cox, Benshee Lake, 22nd July 1864
Title: Waddington Map, Ferry Detail
Map-maker: Alfred Waddington
Archive or Repository: British Columbia Surveyor General Branch
Reference Number: Vault, Original Maps, 47 TY1
Notes: Copy of Original Map

Title: Waddington Map, Slough, Camp Detail
Map-maker: Alfred Waddington
Archive or Repository: British Columbia Surveyor General Branch
Reference Number: Vault, Original Maps, 47 TY1
Notes: Copy of Original Map